9/22/2023 0 Comments Fragments movie genre![]() In the early days of cinema, genres were much more uniform and defined. The Basic Film Genres Gone with the Wind -considered a drama/romance-is a perfect example of a hybrid genre. The majority of content produced in the last several decades often includes genre hybrids, using the rules of genre theory to produce new, unique, and different stories. It’s important to understand, though, that what we consider film genres today are, more often than not, hardly pure film genres, as they were in the early days of film. We see genres while scrolling through Netflix, giving us a rough idea of what the stories are like. But, for writers, artists, and filmmakers, it’s usually the simplest, most practical way to categorize different styles of stories and content. The term dates back to ancient Greek literature. music, whether written or spoken, audio or visual, based on some set of stylistic criteria.” Taking the word at its definition, genre is the “term for any category of literature or other forms of art or entertainment, e.g. ![]() What Are Film Genres? A hybrid genre, Forbidden Planet is considered a drama/fantasy. Here’s a brief introduction into how filmmakers can understand and use “genre theory.” So, what do all those genre names actually mean? And, what exactly are the writers, filmmakers, and storytellers really doing to work within and against these modes? Understanding “genre theory” is both very simple and very complex. It wasn’t until one of the first film theory classes I took that I actually learned how to view, deconstruct, and understand something as seemingly innate as genre. As filmmakers and film fans, we already know about film genres. One of the few rare things that one can actually learn in film school is the simple trick of taking a step back to view something you already know-through a new, academic lens. While the concept of time may be linked to a linear entity to some, the reality of the movie suspends this notion, and changes between the idea of fixed, recorded moments and the fluidity of time, for example, in our memory.Let’s look at genre theory, what it entails, and how to utilize genres with a bit more practicality and creativity in your own projects. ![]() Upon finding an antique watch hidden underneath the snow, the young woman we meet in the beginning becomes fascinated with the item, and seems to even abandon her camera at one point. This is truly an important statement, as the short abandons notions of linear storytelling in favor of a more “episodic” or “fragmented” approach, which at times even repeats certain scenes, albeit with additional information about the characters or their relationship. These events are framed by a young woman (Arisa Koike) who is on a visit in Japan and seems enamored with the snowy landscapes of the Japanese mountains, and takes various pictures.Īccording to Yeo, “Last Fragments of Winter” should be regarded as a “cinematic poem”. Back in his apartment, we find the mother ( Tan Ley Teng) sending their teenage son ( Foo Kang Chen) on an errant to buy some groceries for his father's dinner. While the father ( Berg Lee) attends a Buddhist funeral, reminiscing the life of the deceased person and his relationship to her, who appears to him as a ghost. Inspired by a short story called “The Moon” by writer Mieko Kanai, the story revolves around a family and their individual experiences, all of which are somewhat linked to an encounter with the devastating force which is time. While most certainly not every director follows these principles as highlighting the entertainment aspects of the medium is much more profitable, there are those who have managed to test and to some degree even expand Tarkovsky's observations, for example Edmund Yeo in his 2011 short feature “ Last Fragments of Winter”. Given this ability, we as the audience are able to re-live and contemplate on the moment, resulting in the possibility of film changing our way of thinking and our lives. Film, similar to photography, is capable of capturing a certain moment in time, but can also reproduce it as much as the viewer likes. While the Brothers Lumiere already emphasized this point with their first films showing the arrivals of trains at local stations, perhaps no one else has explained the relationship of time and cinema better than Russian filmmaker Andrei Tarkovsky in his masterful essay “Sculpting in Time”. One of the greatest aspects of cinema, making it distinct from other media, is the fact it can capture time.
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